"So she could go into a home and automatically sense through that third eye if there was a spirit occupying that dwelling … Ed would go in on a case as an investigator, as a skeptic, almost like a detective - 'Prove it to me, pal.' And when Ed didn't hear it or feel it or see it, he'd just look over at Lorraine and say, 'Lorraine, is there a spirit in the house?' And she'd go, 'Yeah, there is. "She's what's known as a light trance medium," Tony says. "He didn't even know what the word 'clairvoyant' meant," Tony explains, noting that Lorraine eventually proved herself to Ed through her work. This would sometimes gain the couple entry into the home, at which point Ed would use his self-proclaimed sensitivity to the paranormal to try and figure out what was going on in the house.Įd and Lorraine's son-in-law Tony Spera, who now handles the family business (Ed died in 2006 after complications from an earlier stroke and Lorraine, 89, no longer gives interviews), told me Ed didn't initially believe Lorraine when she said she had psychic abilities. Once they were married, Ed would paint houses rumored to be haunted, then have Lorraine tell the owners her husband had a gift for them.
ACTUAL ANNABELLE DOLL MOVIE
They met as teenagers at the movie theater where Ed worked, but each developed their affinity for the supernatural as children, Ed while growing up in a house he believed was haunted, and Lorraine while at a Catholic girls' school where she claimed she began sensing people's auras. Portrayed in the Conjuring films by Patrick Wilson and Vera Farmiga, Ed and Lorraine started taking cases - going to houses and checking for demons, ghosts, and other supernatural problems - in the 1940s. Though Annabelle is popular enough to take over a suburban Connecticut banquet hall, she's just one point on the long timeline of Ed and Lorraine Warren's careers as paranormal investigators. "She's gonna be furious if you go on in there with a phone on," the guy in line behind me said to his friend. They were patiently waiting to be checked in for "An Evening With Annabelle," which consists of a lecture, videos, buffet dinner, and later, we'll all learn, an impromptu acoustic cover of the Beach Boys' "Sloop John B." Everyone in line had to sign a waiver before entering, absolving the hosts from "any liability or traumatic influence associated with viewing the items or being in the presence of Annabelle," but this did not deter eager patrons from making jokes about the lady we were about to meet. On a warm Saturday night in June, a couple hundred people gathered in the parking lot of an Italian restaurant in Monroe called Roberto's.
She lives in Monroe, Connecticut, and if you have $169 to spare and the desire to spend four hours in a room with several possessed artifacts, you can meet her. She is the rare horror character who really exists, though in real life, she doesn't look anything like her on-screen counterpart. You know her as Annabelle, first seen in The Conjuring and later in her eponymous spin-off. But only one family has built an empire out of their creepy doll. More recently, Brahms, the emotionless goblin that Lauren Cohan had to babysit in The Boy.
All those nightmares from the Puppet Master movies. Creepy dolls have been a staple of horror movies for about as long as horror movies have been a thing.
0 kommentar(er)
